dvafoto.tumblr

loose threads from
www.dvafoto.com

by Matt Lutton and M. Scott Brauer

photographers need a union

michaeldavidfriberg:

This tirade is not directed at anybody personally because I know photo editors at magazines have very little control over how/when we get paid as photographers but after talking to several of my moderately successful editorial friends lately who are constantly experiencing the same thing, I need to get this off my chest.

A common theme when you talk to other editorial photographers is “i’m broke, even though I have 25 thousand dollars in invoices out to clients right now”. This business is set up to screw us over and over and take advantage of us in so many ways and there is basically nothing we can do about it. When you get an assignment, you typically have to front ALL of the expenses. So, when a magazine calls you last minute to fly to who knows where, USA and the plane ticket costs 800 bucks, that is going on YOUR credit card. Then, after the rental car and hotel and food also go on your business credit card, if you are a halfway decent human, you try to pay your assistant quickly because Lord knows, they are more broke than you are. So after doing an assignment that I may make 800 to 1,000 dollars on, I am usually out about 2 thousand in expenses at a minimum. I have about a total of three magazine clients that every pay me on time and the other 90 percent are usually two months overdue at a minimum. Some magazines don’t pay for 6 months. 

I’m busier than I’ve been in the last year right now, yet I have about 800 dollars in cash in my business account and my business credit card is maxed out. I’m not alone in this. About a year ago I loaned a good friend 1000 dollars just so he could book a ticket for a job while he was waiting to get paid. Then, last month that same friend loaned me 1000 bucks so I would have cash to spend while on assignment in europe because I had so many outstanding invoices out to clients. 

This should not be normal. I’m sick and tired of sending nicely worded emails to people asking about money that should have been paid to me 60 days ago. The saddest part is, if you pitch a fit or complain about it, they will just hire the next 25 year old who is eager and willing to bend over and grab their ankles. My life for the last three months has been juggling credit card bills for shoots, paying assistants in a timely manner and paying my mortgage and personal bills while constantly being on the verge of crisis, even though I have been working non stop and supposedly have money coming in. It’s not just me, every editorial photographer I talk to is having this issue. 

We need to stop being ashamed to ask for advances and sticking to a hard line on overdue invoices. Once you send a magazine high res images, before you’ve ever seen a dime, you basically now have no bargaining power. 

Again, I recognize that this is not every single magazine and that photo editors are not personally responsible for this. I have some wonderful clients who are on top of their shit and get me paid in a timely manner. I also know maybe I shouldn’t be whining about shooting photos for a living but this “living” is getting harder and harder to piece together, even though I’m working more than ever. 

mscottbrauer:
“It’s been fun seeing all of the other photographers around the RNC. Here, I recognized Martin Parr (left) and Christopher Morris (down low) photographing a member of the Florida delegation holding a Trump figurine. Morris was in the...

mscottbrauer:

It’s been fun seeing all of the other photographers around the RNC. Here, I recognized Martin Parr (left) and Christopher Morris (down low) photographing a member of the Florida delegation holding a Trump figurine. Morris was in the news earlier this year after he was “choke-slammed” by a Secret Service agent while covering a Trump rally.

simchiyin:
“Wrote some thoughts and observations on judging World Press Photo contest this year for the f-stop Gear blog as we get to the WPP Awards Days.
“There’s been a broad trend in reportage work in recent years, with a part of the work moving...

simchiyin:

Wrote some thoughts and observations on judging World Press Photo contest this year for the f-stop Gear blog as we get to the WPP Awards Days.

“There’s been a broad trend in reportage work in recent years, with a part of the work moving towards a more aestheticized look. That is quite pronounced. There are of course a lot of hard-core, straight-ahead photojournalism, especially in the news categories, but in the documentary section, there is more work that tries to bridge journalism and fine art. That sort of work is interesting if it’s not just purely aesthetic but has a solid journalistic core, I find. There’s also more conceptual work coming into the reportage realm, especially in the portrait categories. I think this is a trend that will continue, as well as the raging debate about what VII president Ed Kashi has termed “the manufactured rift between journalism and art”. The best work often bridges the two, and is able to transcend time - and pigeon-holing.”

http://fstopgear.com/news/2016-04/judging-world-photography…

VII Photo Agency Lars Boering David Campbell Micha Bruinvels Michaela Herold Simon Norfolk Vaughn Wallace Prashant Panjiar Laurens Korteweg

If anything, Live further exposes Facebook’s active, seemingly unquenchable thirst for more ways to become the middleman in your digital interactions. It literally wants you to broadcast your life on the platform.

Joshua Topolsky, “Facebook Live: Now You Can Never Leave” (via newyorker)

(via newyorker)

iantehphotography:
“Oil jacks by a fish farm. #iphoneonly #ianteh #yellowriver #traces #environment #industrialisation #documentary #china
”

iantehphotography:

Oil jacks by a fish farm. #iphoneonly #ianteh #yellowriver #traces #environment #industrialisation #documentary #china

clientsfromhell:

Me: I have uploaded the article! 

Client: Fabulous. For future articles do you mind uploading images to go along with them?  

Me: Do you mean photos for your personal reference or images that can be published along with the article? I’d be happy to do either, provided you have a photo-subscription account like Shutterstock. In any case, we would need to acquire permission for whatever image you’d like to use. Let me know!   

Client: Use google and submit search request for images that are available for unrestricted usage. PS: Please don’t be condescending. It’s a disgusting trait on a woman.  

 Guess who fired a client today!

livelymorgue:

Feb. 6, 1978: In New York City, gale-force winds buffeted Midtown pedestrians during a storm that forced motorists to abandon their cars and dropped more than 16 inches of snow on the city. “In Manhattan, midtown hotels reported virtually every room rented by noon to people who had decided they would not try to go back home last night,” The Times reported. Photo: Mary Ann Hardiman/The New York Times

selektormagazine:

Føroyar by Kevin Faingnaert

Føroyar is a series about life in remote and sparsely populated villages on the Faroe Islands, an archipelago in the middle of the North Atlantic. The population in the villages on the smallest and toughest islands have seen a sharp decline over time. Young Faroese people move abroad - mainly to Denmark, to pursue a higher education and mostly don’t return to their hometown after graduation. I spent a month on the islands to document these villages before they are empty and deserted. KF

View the full series here

Kevin on Tumblr

Instagram

(via polycopiestudio-deactivated2019)

mscottbrauer:

lpvshow:

3.14 - M. Scott Brauer 

In this episode, photographer M. Scott Brauer joined us to discuss his latest project about the New Hampshire primary called ‘This is the worst party I’ve ever been to,’ blogging about photojournalism at dvafoto, living and photographing in China, as well two brilliant books. 

dvafoto launched around the same time I started the first incarnation of LPV, which was around the time social media started to take off. There was a small group of bloggers that I followed and dvafoto was one of them. They were very active back then and would write about issues and controversies in the photojournalism community. I also featured Scott’s portrait project We Chinese on LPV so his work has been on my radar for many years. Yet again, another instance where I was finally able to meet someone I’d known online for several years. 

For the photobook segment, we discussed Will Steacy’s brilliant Deadline, and My America by Christopher Morris. 

Thanks, once again to Brett A. Davis for joining us for the conversation and making some memorable photographs. 

M. Scott Brauer was born 1982, Landstuhl, Germany, to American parents. Grew up in various locations in the US, but Montana is home. Currently based in Boston, Massachusetts. Graduated with honors from the University of Washington with dual degrees in philosophy and Russian literature and language in 2005. Interned at Black Star and VII New York in 2005. Worked for daily newspapers in 2006 and 2007: the Northwest Herald in suburban Chicago, and the Flint Journal in Flint, Michigan. Moved to China in 2007, back to the US in 2010. Periodic trips to Russia, China, and Montana.

Co-founder and editor of the photojournalism blog dvafoto.

To view the book spreads and behind the scenes photos, visit blog.lpvshow.com 

Recorded April 1st, 2016 at Stockholm Studios in Bushwick, Brooklyn

To listen to this week’s episode: Listen to or download on SoundCloud, via direct link, or subscribe on iTunes; SoundCloud; or via RSS.

If you’d like to support The LPV Show, please consider buying a $20 subscription which will gain you access to our newsletter with a weekly bonus conversation lpvshow.com/subscriptions. Or use our affiliate link with Amazon. We get a small commission on each sale made through these links.

Thank you for your support!

Thanks to Bryan, Tom, and Brett, for having me on their podcast, The LPV Show. It’s the first time I’ve ever been on a podcast or a radio interview or anything like that…. 

(via mscottbrauer)